Film Forecast Friday: September 14

No podcast this week for the Film Forecast, but we do got a post for ya! September 14, 2018 has some very interesting movies coming out.

We have…

  1. A Simple Favor
  2. The Predator
  3. Unbroken: Path to Redemption
  4. White Boy Rick
  5. Lizzie

Anthony’s Opinion:

I think this week has some good movies that have been talked about pretty often lately. Specifically The Predator and A Simple Favor. The Predator is a highly anticipated remake/sequel (?) to the classic franchise. Chances are, it’ll make the most at the box office this weekend. This doesn’t mean it’s going to be the best movie, but it will probably make the most money.

A Simple Favor is a movie I’ve been looking forward to for ages now. It’s starring Anna Kendrick and Blake Lively as two very different woman, but it has a very intriguing plotline I’m excited to see pan out. It’ll make the second most at box this week, behind The Predator.

The next three movies (Unbroken: Path to Redemption, White Boy Rick, and Lizzie) won’t make big – if any – impressions at box his weekend. However, I will say I’m incredibly excited for White Boy Rick, as it looks like it has potential to be a good movie. Lizzie is starring Chloe Sevigny and Kristen Stewart and tells yet another story of the infamous Lizzie Borden.

Olivia’s Opinion:

Listen. The Predator looks like crap. Will it stop people from seeing it? Unfortunately, no. I want it to tank but it won’t so that is the reality that we (mostly me) are living through.

The new Blake Lively film A Simple Favor is one film that I am excited to see. With costars such as Anna Kendrick and Henry Golding, I expect a huge turnout for this sexy mystery and I expect to see Henry Golding shirtless again. So, that’s a big thumbs up from me.

As for the lesbian drama that no one expected Lizzie, I think this might garner a lot of attention from the indie following. It stars Chloe Sevigny and Kristen Stewart and maybe their acting will finally be seen as serious with this new thriller after their past few unnoticed films.

As for Matthew McConaughey’s White Boy Rick (which reminds me a lot of Johnny Depp’s Blow), I think this will be a box office hit. Not necessarily as big as other films like A Simple Favor or The Predator. More on the box office status of other 2018 films like BlacKkKlansman or Eighth Grade. 

Overall, The Predator is taking home big money this weekend. Big money from a big YIKES movie. Let’s go shirtless Henry Golding for A Simple Favor!

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Surviving ‘Apocalypse’: Top Ten ‘American Horror Story: Murder House’ and ‘Coven’ Characters

American Horror Story: Apocalypse only aired last night and it’s setting us all on edge. Ryan Murphy and Brad Falchuk are obviously going back to their roots with this sinister, almost comical representation of the apocalypse. While we endure the agonizing wait until next Wednesday, we’ve put together a list of the top 10 Murder House and Coven characters.

Moira American Horror Story

10. Moira

Murder House‘s Moira made #10 on this list for being such an anchor point of her season. I can’t imagine Murder House without picturing Young Moira being murdered by the beloved Constance, or without picturing Ben seeing Young Moira in several, uh, compromising positions. Beyond that, what would season 1 have been in Frances Conroy’s Moira wasn’t bonding over Vivien and protecting the house from all evil – in or outside the boundaries.

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9. Vivien

Vivien was another anchor of the first season of American Horror Story. Granted, she was also the one with the most issues. I mean, she *SPOILER* (but if you haven’t seen Murder House, then get to it) gave birth to the damn antichrist and was raped by an angry spirit. Now THAT’S some emotional baggage. Vivien was someone who I loved watching on screen, no matter what storyline she was stuck in. I’m serious, the number of happy moments that woman has is, like, zero.

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8. Zoe

Seeing Taissa Farmiga for the first time since Murder House was absolutely life-changing the first time I saw her as Zoe. Zoe Benson was one of the several coven witches from Coven that we very quickly came to love. She was a powerful witch, even if she didn’t always look it at times. We loved watching her bond with the rest of the coven and her franken-boyfriend Kyle. Zoe proved to be a kindred soul that only wants the best for her coven and the people who care most about her. Who cares if that means having several threesomes with a boyfriend stealing b*tch?

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7. Marie

Based on the real life “Voodoo Queen of New Orleans”, Marie Laveau added a touch of history to the third installment, Coven, as well as a new fanbase for the legend. Portrayed by Angela Bassett, we introduced to a new story and a new persona that many in New Orleans would question if it weren’t done so eloquently. Not only is Marie the Queen of Voodoo but she’s also an immortal bad bitch hair stylist who got reparations by giving her racist enemy, Delphine, an immortal life- in a coffin below the city of New Orleans. She gets revenge in the sweetest way and never gives pity apologies to the ones she’s hurt (let’s be honest, they probably deserve it). A Queen in her own right.

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6. Constance

Constance from Murder House snagged the #6 on the list for proving that as long as you’re confident enough, you don’t need to be scared of no ghost. Although most of her children are suffering very severe consequences for their actions, Constance remains strong. She has moments of fragility, which are usually cleared up pretty fast by medium Billie Dean Howard and her spiritual guidance. She is the mother of Tate and knows about every single spirit in Murder House. Even with this overwhelming knowledge, she survives and remain the one that all the spirits are scared of. Mess with her and you’ll suffer the same consequences as those before.

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5. Cordelia

This whole paragraph is about to be spoilers, so avoid reading this one unless you’ve watched the almighty season of Coven. When we meet Cordelia, she is quite fragile while being one of the strongest witches in the coven. She’s a mentor and a guide, and keeps her calm at all times. She literally blinds herself just because she cares more about the coven than she cares about herself, just to find out she’s a little more powerful than she imagined. When I think about the fact that this queen is about to be in Apocalypse, I internally scream. Cordelia is a witch of power and a witch of ultimate love and gratification, the supreme anchor of the coven. Screw top 10 of Murder House and Coven, she’s in the top ten of all time.

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4. Violet

What would Murder House be if Violet, the moody teenager, wasn’t there to fall in and out of love with the ghost of a mass murderer? Well, we would have to find a love story in Ben and Vivien because Violet and Tate were the original OTP (one true pairing) of American Horror Story. Not only is Violet lovestruck but she’s also the slightly gothic character in all of us. As a teenaged viewer, you could relate to Violet’s inner struggles which included depression and thoughts of suicide. She’s goes through all of the things that teenagers go through with the added bonus of living in a haunted house inhabiting ghosts that want you dead like them while your parents are on the verge of divorce. Despite her unfortunate ending, I think we can all give Violet a medal for putting up with that much trauma and drama at 16 years old.

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3. Misty

The Swamp Witch who’s a mega-fan of the infamous White Witch Stevie Nicks. Misty is second to Cordelia as the sweetest and most morally disciplined character in Coven. This is due to the fact that her special power is bringing people and animals back to life. She has a love and appreciation for life and nature that can sometimes get in the way of her progression in magic but, she’d rather die before killing another living things. Which is admirable and melancholic at the same time. Aside from having an interesting hippie style, Misty is one of those characters that we love for her heart and not just her icon status.

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2. Tate

Look, people have very mixed opinions about Tate. Let me get this out of the way right now and say that I definitely think Tate is an awful person. It’s not a debate whether or not he was a good person when he shot up a school, but from a character standpoint, he’s splendid. So splendid, in fact, that he made #2 on this list. Tate Langdon is a classic American Horror Story character for all sorts of reasons. First of all, him and Violet’s relationship was one of the first couples in the series that I actually wanted to happen. Even if they do seem slightly – very – toxic. They were still cute. There were also times in season 1 where you really just felt for Tate. The times when he forgot he was a mass shooter and a total serial killer and just surfaced the fragile loving side of himself. If you want to push it even further, his son just so happens to be one of the main characters of Apocalypse

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1. Fiona

All hail the Supreme. Don’t disrespect her, don’t try to dismiss her, only love her with your entire being. If you don’t, she will gladly kill you and destroy your body. Fiona Goode is the definition of iconic. She has some of the MOST quotable lines in the series and some of the most memorable moments. Most people, if they were given the honor of becoming the Supreme, would end up just like Fiona. She cared purely for herself, not for anyone else. So much so that she actually did end up killing someone out of fear that she was being run out. She barely cared about her daughter, but occasionally you would see that side poke through. She absolutely never gave up on anything, not until her dying breath. She became the queen of AHS, and even in a world of amazing Jessica Lange characters, Fiona Goode remains at the top of the list. Power is a dream that most can never receive, but Fiona Goode remains the baddest witch in town.

Film Forecast: September 7, 2018

Welcome to the first Film Forecast Friday episode of Basement Talk, where we basically turn our usual Film Forecast blog posts into a podcast episode! This week we are covering the horrific and much anticipated The Nun, as well as how it could very well make The Conjuring franchise break records. We go in depth on what movies we think are Oscar worthy and have a chance at a nomination, as well as August/September recommended movies and whether or not Jennifer Gardner’s new film Peppermint will be any good.

Episode Length: 32 Minutes

Intro & Outro: “Funhouse” by John Treash

TV Talk: A Tremendous and Hazardous Life in Hollyoaks

By Anthony Peyton, Edited by Olivia Norwood

Welcome to Hollyoaks, where a disaster is waiting around every corner, every single day of the week. That’s right, we are talking about the 2014 Best British Soap Opera winner, Hollyoaks! Given that the majority of our viewership is American, I’m assuming that the bulk of you haven’t heard of this game changing soap.

Hollyoaks is one of few soaps that is actually targeted towards a younger audience, between ages 16 and 35. It sits with Emmerdale, Coronation Street, EastEnders, and Doctors yearly on the panel of nominees at the British Soap Awards.

The show began in 1995 and has always been known for taking incredibly dangerous risks in their storylines. To name just a few topics that Hollyoaks has taken it upon themselves to cover, we have anorexia and bulimia (which have been used for both male and female characters), domestic abuse in a homosexual relationship, teen pregnancy, and deaths of family and friends.

Honestly, that only scratches the surface of what they cover, as they’ve covered hundreds more topics since they began in 1995. Although several of them have created societal controversy, the writers of each storyline carefully make it so each story has an excellent moral at the end, or some way that you at home can work through your issues.

Although the cast began at a very limited 15 members, it has since grown to nearly 60, each character with their own life and own storylines to cover. Not quite 20 members have been on the show for over five years at this point, as many of the originals left in 2008.

Where this would falter some shows, Hollyoaks makes it so you are just as interested in the new characters as you were in the old ones, which is something not many television shows can do anymore.

This doesn’t take away from the Hollyoaks veterans who have been on the show for over five years. In fact, it only gives you reason to love them more. This happens in the case of Tony Hutchinson (played by Nick Pickard), a character who has been on the show since 1995 and viewers have had the honor of watching him turn into the amazing character he is today. We see another character, Ste Hay (played by Kieron Richardson), go from a domestic abuser, to discovering his sexuality, to a domestic abuse victim, to losing his husband, to getting married again.

Hollyoaks gives the wonderful opportunity to watch characters grow into new people, no matter new or old. Every single one provides a different storyline and personality for people at home to connect with in some way or another. It’s a soap opera that lives on and on, as it continually receives support from communities all over the world.

Basement Talk 005: The Magical Impact of Harry Potter

For the 5th episode of Basement Talk, hosts Anthony and Olivia (and guest Julia) fangirl over Harry Potter, their favorite characters, books/movies, and the impact it had on an entire generation.

Episode Length: 37 minutes

Intro & Outro Song: “funhouse” by John Treash

Hit Me!: 15 Years of ‘Thirteen’ and It’s Defiant Youth

By Olivia Norwood, Edited by Anthony Peyton

It’s been 15 years since we were introduced to the gritty and hardcore coming of age film, Thirteen, and it hasn’t aged a bit.

Although the 2003 story gives off a very early 2000’s vibes with the clothing and music, teenagers Tracy (Evan Rachel Wood) and Evie (Nikki Reed) still mirror the youth of today. Tracy, the straight A student, befriends the rebellious Evie in hopes of becoming popular. With this friendship comes the destruction of Tracy’s image, morals, and family as she begins to steal, use drugs, and act violent.

What makes this relevant to adolescence today is that it’s real. Written by a 13 year old Nikki Reed, Thirteen was based on her own drug addicted, promiscuous life, which provides massive insight into an actual teenager’s experiences.

Teen addiction is and was a massive problem and the effects are obviously damaging but this film shows the downward spiral of it all. Tracy went from being a friendly, hardworking student and daughter to a raging, mentally unstable teen. She self harms through cutting and having her friend beat her up. Tracy’s fast life with esometimes older boys ruins her relationships with everyone around including Evie.

Near the end of the film, we see her secrets revealed to her mother in a betrayal from Evie and a mental breakdown from Tracy. She’s darker and more disturbed. Inside she’s broken and her outrageous actions are a cry for help even when her behavior gives off a different story.

Reed knew exactly what we wanted to see in a coming of age film which was the other side of the teenage experience. One that is raw, chaotic and goes unnoticed or ignored by society. There’s a dark side to everything and Thirteen exposes it while showing the real humanity behind it.

Chloë Grace Moretz Shines in ‘The Miseducation of Cameron Post’

By Olivia Norwood, Edited by Anthony Peyton

Earlier this year, we were introduced to the worst performance in Chloë Grace Moretz’ career with Brain on Fire. As a fan of Moretz’ work, I was thoroughly disappointed to see the Netflix Original and hoped for another film/performance this year that would make up for it.

The Miseducation of Cameron Post was that film and Moretz’ lead role was that performance. Taking place in 1993, teenaged Cameron is sent to a Christian treatment center after she is caught making out with a girl in the backseat of a car. While struggling with her oppressive situation, Cameron manages to find a few good friends in Native American Adam (Forrest Goodluck) and hippie Jane Fonda (Sasha Lane).

What I love so much about Moretz’ performance is that it’s completely different from the past where she played the headstrong, outspoken girl. Her role as Cameron is definitely the opposite as she is quiet, shy, and submissive. It’s refreshing to see Moretz as something that is more vulnerable and deeper than just the face value that we get with a lot of her characters.

Along with Moretz, the supporting characters gave their own memorable performances. Owen Campbell, who plays Mark, seemed like he was just another character but proved us wrong with one of the most powerful scenes I’ve seen this year that includes a dramatic and emotional reading of a bible verse that results in a mental breakdown. It’s one of the best performances of the film and Campbell deserves many praise for it.

All in all, The Miseducation of Cameron Post was one of the most authentic films of the year with actors who treat the material and the characters with respect.


My Rating: 95%

Acting: 3.8/4

Cinematography: 3.8/4

Story: 3.9/4

Enjoyability: 3.7/4