Top 10 Movies For A Girls’ Night

There’s nothing better than a night in with your girls watching movies, eating snacks, and hanging out in your PJ’s. That’s why today we are counting down our top 10 movies to watch for your next girls’ night!

1.Mamma Mia!

It’s nearly impossible to watch this movie without singing and dancing along. That’s what makes it a fun and energetic choice for girls’ night.

2. Mean Girls

Honestly, one of the most iconic movies there is which also happens to feature a slew of strong female characters. What more could you want from a girls’ night movie pick?

3. Bridesmaids

Bridesmaids has so many qualities that make it perfect for girls’ night. For starters, it centers around a wedding, and I don’t know about you but anything that deals with weddings is my weakness. And this movie features some of the best female comedians there are!

4. Girls Trip

This one is great because whether it gives you and your girls an idea for your next girls trip, or it reminds you all of your girl group, it is bound to have all of you laughing and even closer by the end.

5. 10 Things I Hate About You

This movie is not only a classic, but it’s positively adorable. And who better to swoon over Heath Ledger and cry about Kat’s poem at the end with than your best friends?

6. Chicago

Chicago features one strong female cast. That also makes it so much fun to sing along to with your girls. Between the badass ladies and the iconic music you can’t go wrong with this pick.

7. Clueless

Funny, charming, and iconic. This one will have you and your girls laughing and maybe even planning your next group Halloween costume!

8. Easy A

I absolutely love this movie. It’s funny, different, and features the stunningly talented Emma Stone. Also, the fact that it acts as a commentary on female expression of sexuality, makes it a perfect movie for girls’ night.

9. Bring It On

First off, I just have to say that Jesse Bradford is beautiful and I am forever grateful that he graced our screens as Cliff in Bring It On. But luckily, that’s not all this movie has to offer. You have entertaining cheer routines, brilliant comedy, and a great load of nostalgia.

10. Crazy, Stupid, Love

One of my favorite Rom-Coms and honestly such an interesting take on the genre. With an intricate story, brilliant cast, and lots of hilarity it is the perfect movie to watch in the most perfect genre for a girls’ night.

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‘Bao’: A Brutally Meaningful Showstarter

By Anthony Peyton, Edited by Julia Wilson

If you like movies and aren’t completely ignorant, you’ve definitely heard of the seamless Incredibles 2. But we aren’t here to talk about that movie – we are here to talk about what comes before it.

Prior to the Disney Pixar sequel, a short film titled Bao was featured. It was a short with no talking and very minimal sound, but brilliant animation. This, of course, can be expected of the mega animation company behind it.

The creator was a woman by the name of Domee Shi, who wrote and directed the entirety of it. This was the only produced piece on her filmography, but still made her the first woman to direct and create a Pixar short.

The story itself revolves around a woman who is making dinner for her husband – dumplings, specifically – and as her husband leaves for work, the woman is left alone. That is, except for one dumpling that sprouts arms and legs. Don’t worry, it’s not creepy, it’s cute.

It zooms through the life of the woman and her dumpling as he grows up into a bigger dumpling and eventually wants to leave home. This leads to the tragedy of the woman *SPOILER ALERT* eating her child dumpling. Once again, it’s not creepy. Seconds after, it’s revealed that, all along, the dumpling was her son. A son that abandoned her and distanced himself, creating tension when he comes back. It all ends happily when the love of a mother overpowers the fear of him leaving again.

This short film had me in tears before the main attraction even started. I was left shook and half-tempted to leave the theatre to call my own mom. Shi knew how to tug at the heart strings with a self-understood passion that she clearly demonstrated, telling a story with a moral that can only be described as undebatable and astounding. Family is around for a reason, and you shouldn’t cut that unless it’s necessary and healthier.

Even leaving Incredibles 2, I was thinking about this short. The story, the metaphors within, and all the thought that Shi must’ve put into the – for a lack of a better word – incredible journey of a mother and her child.


My Rating: 97.5%

Animation: 3.9/4

Direction: 3.9/4

Story: 3.9/4

Enjoyability: 3.9/4

‘Damsel’ Should Be Called ‘Marry Me Penelope’

By Olivia Norwood, Edited by Julia Wilson

Of all of the dramas and dark comedies I have seen this year, Damsel may be the most confusing.

The reason why is because it has, what it seems to be, two different plots.

Good Time actor Robert Pattinson portrays a young man named Samuel who picks up a drunk preacher, Parson (director David Zellner), on his way to rescuing his “kidnapped” fiancée, Penelope (Mia Wasikowska), so that he can marry her on the spot. Upon finding her and killing her captor, Parson quickly finds out that Penelope was never kidnapped but married to the supposed captor, Anton, in their small cabin in the woods.

But that is just the first half of the movie. The other half is just Penelope and Parson traveling out of the wilderness and stumbling upon native Zacharia (Joseph Billingiere) and Anton’s brother, Rufus (director Nathan Zellner).

Now, here’s why I titled this “Marry Me Penelope”: every male that Penelope comes in contact with will eventually propose to her. She’s already married to Anton, Samuel’s entire objective is to marry her, Rufus demands to marriage after the death of his brother, and Parson randomly proposes to her in the middle of the desert.

After the film, I wondered if the multiple proposals to Penelope was the actual plot. Then I found the written synopsis given to us by the film and it states, “the once-simple journey grows treacherous, blurring the lines between hero, villain and damsel”. And I guess I understand that, too.

It mocks the old western genre where women were the ‘damsels in distress’ and the men were either heroes or villains. People are always trying to save Penelope but, in the end, she was the one saving herself (i.e. strapping dynamite to Parson’s chest and taking all of his belongings when he proposes).

Aside from its wishy-washy plot, Damsel was quite hilarious as it seems more like a western comedy than a complete parody of the western genre that films like A Million Ways to Die in the West have done. It was confusing throughout but, nonetheless, an entertaining watch.


My Rating: 73%

Acting: 3/4

Cinematography: 3/4

Story: 2.8/4

Enjoyability: 3/4

‘Black Swan’: When the Pretty Became the Paranoid

By Olivia Norwood, Edited by Julia Wilson

Remember when Natalie Portman won an Oscar for playing a deranged ballerina? It was for the Darren Aronofsky film, Black Swan, that may or may not should’ve won for Best Picture and Best Cinematography at the 83rd Academy Awards. But we’re not here to talk about The Academy, we’re here to give this unique and insane story the attention it deserves.

Based in the hustle of a New York ballet company, the fragile Nina (Natalie Portman) strives to prove that she is the best dancer to be the new Swan Queen in their upcoming production of Swan Lake. She soon finds out that envy and wrath comes with the territory of the role. In her journey to achieving her dream, she feels the pressures of being perfect and develops paranoia in the scariest of ways.

The plot is interesting, but what really made this film special was its cinematography, colors, and overall art direction. They’re the aspects that draw a viewer in and make them appreciate its beauty. In Black Swan’s case, the cinematography was done in a cinema veritè style, the colors were pinks, whites, grays and blacks, and the art direction was light contrasting the dark.

Not only is it ‘light vs. dark’ but it’s also ‘innocence vs. temptation’ and ‘perfection vs. imperfection’. Nina represents purity and she rejects anything with impurities. Her life is pretty, pink, and childlike whereas her environment is cutthroat, edgy, and adult. Without making stark contrasts, the cinematography blends the two to allude to Nina’s transformation from White Swan to Black Swan.

But its prettiness doesn’t cloud the horror aspect. It’s still dark and sticks to the theme of paranoia and the hallucinations that Nina experiences. Her competition is her own inner darkness and it’s shown as her alter ego tries to kill her and actual black feathers start to grow out of her skin.

Its scare factor lies in the horrors of mental illness and the fact that all of these nightmarish events are happening inside of her head. The pressures of her passion result in her own madness. Nina is no longer in her right mind and ultimately gives into the dark side of herself.

Black Swan is not a modern retelling of Swan Lake. Instead, it utilizes the themes of the play to create a story about a woman who loses herself and her mind in the midst of maintaining perfection.

TV Talk Thursday: Big Brother Season 20

By Olivia Norwood, Edited by Anthony Peyton

Happy TV Talk Thursday!

Every first Thursday of the month, we review a new tv show or new season. Today, we’re diving into the 20th season of the widely popular CBS reality show, Big Brother.

Let’s start off by saying that this is the first and only season I’ve ever watched of this show so my opinions are with a fresh, newbie perspective.

Just a quick overview of the concept of the show. Sixteen people stay in one house, compete in challenges, which are followed by evictions from the house members which ultimately leads to one person taking home $500,000.

This season starts off with tech-themed challenges that require some athleticism and, with no surprise, the athletes of the house dominate. Many of those athletes have already created alliances with each other, causing them to create friction between all of the house guests.

As a first-time viewer, you discover that the competitive and seemingly popular ones become the biggest targets by the less aggressive members.

Oh, the drama that ensues!

With the first eviction happening today and considering that this show’s fanbase is heavily based on favorites, I would like to list my top five members of Big Brother 20.

First, the most popular and trending house guest is the adorable pumpkin that is Sam. She lost her competition and received the worst punishment I’ve seen: becoming isolated from the rest of the house and communicating through a robot. After being perceived as the weaker member, she was made a target by the aggressive competitors. This broke poor Sam until she received immunity, which was based on her social media popularity, thanks to the fans at home.

Number 2 has to go to my other favorite, Tyler, who also became the first Head of Household of the summer. He’s a chill lifeguard who is too lovable for anyone to hate him. Number 3 is the small, smart, and sassy JC who brings nothing but joy when I see him in the house or in a competition.

My number 4 and 5 will go to Angela and Kaycee who are in the same power alliance. Angela is one of the athletes of the house who most of the members want gone because of how strong she is as a competitor. So far, you can’t knock her down or she’ll knock you out. Kaycee was the other member who recieved a punishment for coming in last and although she’s an athlete, her low key role in the house makes me wonder if she’ll just float through the competition without creating friction or gaining enemies.

Those are my top 5 of the season, so far, and I cannot wait to see what happens later on. Let us know your thoughts on the season and who your personal faves are.

A Postcard Never To Forget: A Look On ‘Brokeback Mountain’

By Anthony Peyton, Edited by Julia Wilson

It’s rare that a movie can make me so sad just by thinking about it. A movie that breaks my heart over and over again to the point where I know I’ll never be the same.

That movie is the 2005 Oscar-nominated classic Brokeback Mountain, directed by Ang Lee.

This movie stars Jake Gyllenhaal as the lovable cowboy Jack Twist and Heath Ledger as Ennis Del Mar, the quiet – but still absolutely lovable – cowboy. They embark on a summer job on Brokeback, a mountain in Wyoming. What starts out as an innocent job for the season turns into something much more romantic and erotic.

That’s only a fraction of what the plot actually is, which involves moving on from Brokeback while still trying to stay together. It’s a heartwarming tale that has moments of sadness, purity, love, and everything that makes a romance what it should be. The only catch was that it was two men.

Well, at least by 2005 standards it was a “catch”. Nowadays it’s significantly more common with movies like Love, Simon, God’s Own Country, and Call Me By Your Name. But at this time is was near-unheard of. Luckily, it was powerful enough to make a statement for the entire LGBT community with a community entering the cinema that rarely did so before.

Lee did an incredible job directing a masterpiece that was based on a completely unique story – by Annie Proulx – that touched so many bases. Lee absolutely deserved the Academy Award he received for Best Director that year.

If you ask me, it was practically an abomination that Brokeback Mountain didn’t win Best Picture. We definitely aren’t going to make a habit of talking about Crash, which won instead.

Ledger, Gyllenhaal, Anne Hathaway, and Linda Cardellini all starred in the film, each doing as an actor should do. In fact, they went to extreme measures to be the best they could be. They developed relationships in the movie that impacted future collaborations and real life relationships that sparked afterwards.

Brokeback Mountain will always be in the top 5 of my LGBT cinema list because of everything it does. Starting such a crazy impact that would last for years and years, up even to the movies we see on a daily basis today, being constantly compared to the astonishment that was Brokeback Mountain.

Film Forecast Friday: June 29th

On June 29th we have…

1. Sicario: Day of the Soldado

2. Uncle Drew

3. Escape Plan 2

4. Black Water

5. Woman Walks Ahead

6. Leave No Trace

Julia’s Prediction:

This week there aren’t really any big blockbuster movies coming out.

The movie I have seen the most marketing for is definitely Uncle Drew, and it has a lot of big names in it like Tiffany Haddish, Nick Kroll, and more. So based on that I think this could be the biggest movie out of those coming out this week.

However, there have been so many big releases this month I doubt any of these movies will make a big impression at the box office. Between Incredibles 2 and Jurassic World: Fallen Kingdom these movies will have a hard time coming anywhere near the top of ticket sales.

Anthony’s Prediction:

I’ll start with Uncle Drew, which will make the most at the box office this weekend due entirely to its insane marketing and constant advertising on every platform.

Then we have Sicario: Day of the Soldado which is a sequel, so it’ll make nearly as much as Uncle Drew, even if it’s horrible.

Those two are going to be pretty much the only relevant ones this week, given that there hasn’t been much advertising or anticipation for the sequel to Escape Plan or whatever the heck the other movies are.