Summer Begins with Netflix’s ‘Ibiza’

By Olivia Norwood, Edited by Julia Wilson

Last year, female audiences were presented with films like Girls Trip and the absolutely terrible Rough Night. Although only one of them was watchable, they both have something in common – they’re both about female road trips.

Netflix took some notes from last year and has presented us with its new comedy Ibiza.

A New York publicist (Gillian Jacobs) goes on a business trip with her two best friends (Vanessa Bayer and Phoebe Robinson) to Barcelona that quickly turns into a romantic chase for a hunky DJ (Richard Madden) performing in – yes, you guessed it – Ibiza.

Everything in this movie is what you would expect. There’s envious party scenes, sexy Spanish men, girls getting themselves into crazy situations, and a surplus of drugs. More specifically, Bayer taking a small bag of Adderall and burning 4,000 calories on an elliptical.

It’s a perfect film for the start of the summer and doesn’t involve a superhero saving the universe. It’s adventurous, romantic, and filled with EDM without being obnoxious, and its messages are nothing short of “living in the moment”. This flick is everything that a millennial would want in a summer movie (and a trip that they couldn’t afford).

So, grab your girlfriends and watch Ibiza on a night in or a night out. It’ll give you a laugh and maybe even some inspiration for your next girls trip.


My Rating: 81%

Acting: 3/4

Cinematography: 3/4

Story: 3/4

Enjoyability:4/4

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The Rocky Comedic Adventures of ‘Solo’

By Anthony Peyton, Edited by Julia Wilson

Easily one of the most highly anticipated movies of 2018, Solo had a lot to prove. It definitely didn’t help that most people went into the movie assuming it was going to be bad. I can’t blame it for trying to prove everyone wrong.

In this Star Wars Story, a young Han Solo (played by Alden Ehrenreich, ) is in the initial stages of becoming a smuggler with his best buddy Chewbacca while trying to balance an unfortunate relationship with Qi’ra (Emilia Clarke, Game of Thrones). He meets Beckett (Woody Harrelson, The Hunger Games, Now You See Me) along the way as well as a very intelligent robot named L3-37 and Lando Calrissian (Donald Glover, Atlanta).

As expected, all of these characters affect the story in some way or another, whether it be for entirely comedic purposes or actual damage. The comedy in this is, unfortunately, going to have to be one of my negatives.

Star Wars has gotten into this habit of trying to make every single droid as successful and hilarious as K-2SO in Rogue One, when it’s just not going to happen. L3-37 makes some decent jokes (one being about equal rights for droids), but it feels so obvious that the writers are forcing it.

To future Star Wars Stories writers, stop trying to make the droids as funny as K-2SO, it’s not going to happen.

The movie itself wasn’t the most fun to sit through of the Star Wars franchise. In fact, it may be one of the least enjoyable yet. I had never found myself so bored for the majority of a Star Wars movie than I did with this one.

Luckily, it made up for that with its last 20 minutes which were actually pretty entertaining to watch. I say this because it’s in the last 20 minutes that anything wildly important happens, including a plot twist and introduction of a familiar character that I was saying, “uhm… what?” to.

The cinematography was beautiful, as it is in a Star Wars movie. It was beautifully made, even the camera work wasn’t nauseating like some movies have become nowadays. There were plenty of oddly named planets and several mentions of Tatooine, which I thoroughly enjoyed being a hardcore Star Wars fan myself.

Honestly, I have very mixed opinions regarding Solo. I don’t think it was bad, but it’s definitely in the bottom five of Star Wars movies. I wouldn’t go as far as saying it shouldn’t have been made because at the end of the day, it told a story about a character we all loved that we all wanted to know a little more about.


My Rating: 84%

Acting: 3.4/4

Cinematography: 3.5/4

Story: 3.4/4

Enjoyability: 3.2/4

Film Forecast Friday: May 25th

On Friday, May 25th we have…

Solo: A Star Wars Story

Mary Shelley

Future World

The Gospel According to Andre

Liv’s Prediction:

The easiest prediction here is that Solo: A Star Wars Story will be the biggest movie to be released this weekend, as the others are more indie. Already starting out with a 70% on Rotten Tomatoes and many mixed reviews from Star Wars fans (mostly negative), Solo will without a doubt have people rushing to see it.

Mary Shelley, starring the lovely Elle Fanning, should be a big one amongst the non-blockbuster crowd. Personally, I am excited to see this dark and different role for the already acclaimed Fanning. I don’t expect it to do wonders at the box office but, it just might surprise me.

Onto the documentary that many, including myself, are excited for – The Gospel According to André. The legendary André Leon Talley will have doc lovers and fashion enthusiasts racing to see this film. It won’t do crazy at the box office, as most documentaries don’t, but it will be a hit amongst the fashion capitals of the world.

Therese’s Prediction:

Considering this weekend is not a big week for the movies, Solo: A Star Wars Story will undeniably be the biggest hit of the weekend. It is a much anticipated film solely about the character Hans Solo from the Star Wars franchise. Hopefully, it will be a top-grossing film for the week as the other films will likely not be.

While Mary Shelley may not be a hit amongst the A-lister movie crowd, it may well sure be a hit for movie lovers of a different category whether as a lover of romance or drama. Among other things, this will be the first Hollywood film directed by a Saudi Arabian woman, Haifaa Al-Mansour. I will definitely be among the crowd of people in attendance for this film.

Future World, starring James Franco, appears to be a B-level movie with a top-rated cast. Not entirely sure how well this film will do this weekend, and regardless I will not be one waiting to watch. As a science fantasy film, it’s not really in a genre I particularly care for.

Lastly, The Gospel According to André, as a documentary film explores the life of longtime Vogue editor André Leon Talley. Hopefully, the film is not a pitiful representation of his interesting life. Regardless, I am still excited for this film to premiere, as it very well may be a compelling film.

‘Deadpool 2’ Shows Exactly What Superhumor Should Be

By Anthony Peyton, Edited by Julia Wilson

Deadpool is back at it again with his morbid sense of humor the entire world has come to love in Deadpool 2. This time, he comes with an even more complex story with long-term complications.

In this one, Deadpool (obviously still played by Ryan Reynolds) finds a new villain that he must defeat to save a little kid named Russell (played by Julian Dennison) – or “Firefist” if you ask him – as he struggles with, like, self-identity or something. Basically the X-Men version of puberty.

Regardless, Deadpool is as funny as ever. But it all started with something that most movies don’t put a ton of time in anymore – marketing. Deadpool 2 created dozens of alternate covers for its movie as well as replicas of other movies that were replaced with Deadpool himself. On the cover of War for the Planet of the Apes, Deadpool is seen riding the horse. It’s these marketing decisions that helped build the anticipation for this movie.

I have no complaints about the acting in this movie. Reynolds, the young Dennison, Morena Baccarin, Josh Brolin, and all the other actors/actresses’ portrayals of unique characters were executed excellently. They each brought a lot to the movie no matter how much or how little they appeared in it.

Deadpool is known for his dark humor, which he plays very well. From comparing the new villian Cable and Thanos to understating the power of Hawkeye, Deadpool really brings the shaded joys to the MCU.

Even the cinematography was awesome in this movie. They used tons of different sets and locations to show all the different situations Wade Wilson manages to get himself into while still keeping the feel of his universe.

Finally, the writers hit the bullseye with a story that really has the ability to hook the audience. It jumps around, sure, but a lot of superhero movies do that nowadays. And who are we to complain about that after watching The Avengers: Infinity War.

That’s right, if you liked that story, you have no place to say that Deadpool’s was bad.

Deadpool 2 was definitely better than the first. That, right there, is a huge accomplishment within itself. It incorporates the X-Men storyline better than the first (shipping Deadpool and Colossus with every piece of my soul), and the humor worked even more thought out, adding in constant pieces of attitude towards the MCU. It just knew how to build on characters they already had as well as add in ones that would benefit the story (Brad Pitt may or may not make a cameo appearance… go find out!). Deadpool 2 is easily one of my highest recommended movies of 2018 thus far.


My Rating: 91%

Acting: 3.6/4

Cinematography: 3.5/4

Story: 3.6/7

Enjoyability: 3.9/4

Film Forecast Friday: May 18th

On Friday, May 18th we have…

Deadpool 2

Book Club

Show Dogs

Dark Crimes

First Reformed

On Chesil Beach

Julia’s Prediction:

Obviously Deadpool 2 will takeover the box office this weekend and may even give Avengers: Infinity War a run for its money for that #1 box office spot. Also, I literally just saw Deadpool 2 as I’m writing this and I loved it. I strongly recommend.

Book Club looks pretty funny, but I don’t expect it to make any big waves at the box office. Although it currently has a surprisingly high rating on Rotten Tomatoes for what it is, so who knows. Maybe it will surprise me.

I honestly can’t even believe Show Dogs is a movie. I mean are creepy real looking talking animals really anyone’s kind of movie? I definitely expect this movie to crash and burn.

Dark Crimes looks pretty intense and it has Jim Carrey in it so it will probably do alright. First Reformed is already Certified Fresh on Rotten Tomatoes so that one will also probably do pretty good. And finally On Chesil Beach which stars Saoirse Ronan from Lady Bird. This one looks pretty interesting and I think among its audiences it will do pretty well.

Anthony’s Prediction:

Even only being open for one day, Deadpool 2 is already breaking records. It’s killing it at the box office and will continue that through this weekend. Ryan Reynolds knew what he was doing signing on for this movie.

Book Club is going to be interesting, but won’t do crazy well at the box office. That being said, it’ll still take the second most spot next to Deadpool 2.

First Reformed is being very positively recepted and I love that. It’s a good movie with a story that needs to be told, and it deserves the good it’s getting.

Dark Crimes and On Chesil Beach are the two movies this week that I think will be looked passed and won’t be big or relevant at all.

‘Step Sisters’: Throwing Together College Trash

By Anthony Peyton, Edited by Olivia Norwood

Step Sisters is a new original Netflix film with a 25% on Rotten Tomatoes. That, at least for me, says it all… but I gave it a chance. Unfortunately, that chance wasn’t worth it.

This is a movie that makes an attempt at combining stereotypes about race, gender, and college sororities to develop what the writers called a teen comedy. It’s a triple whammy that nobody asked for and nobody wants to see.

Don’t get me wrong, I can see where they attempted to make it work. They had characters who were having trouble with their own self identity and characters who wanted to embrace their self identity but couldn’t. This attempt crashed when they put it up against moments of blatant racial stereotyping, which just isn’t funny anymore in the society we live in unless it’s done with purpose.

Jamilah (played by Megalyn Echikunwoke, CSI: Miami), Beth (Eden Sher, The Middle), and Dane (Matt McGorry, How to Get Away With Murder) play three of the main characters, and were the strongest out of the cast. However, that’s not saying much because none of them were at their strongest performance by any means.

Sher seems to be stuck playing the same role in every production she appears in while McGorry is consistently losing his eye for good entertainment, which is a sad thing to me, as I really enjoyed him in How To Get Away from Murder.

On the whole, I did not like this movie and would suggest spending your time watching funnier teen comedies like Edge of Seventeen and Netflix’s very recent Dude. The acting wasn’t pristine or even good and the teen comedy it attempted to be just blew up on more than one occasion.

If I could give any advice to teen comedies in the future, steer away from race jokes every thirty seconds unless it actually needs to be said. Step Sisters just took it too far.


My Rating: 35%

Acting: 1.7/4

Cinematography: 1/4

Story: 1.7/4

Enjoyability: 1.3/4

‘Tully’: The Truth About Motherhood

By Anthony Peyton, Edited by Julia Wilson

Let me start out by saying that this movie is easily in my top 3 movies this year and deserves an Academy Award nomination. No other movie has felt so real and candid while still being enjoyable and fun.

Charlize Theron (Atomic Blonde, Monster) plays Marlo, a mother of three suffering from severe postpartum depression. Her husband (Ron Livingston) doesn’t do much for the kids, except being the homework helper. Marlo’s rich brother (Mark Duplass) sees just how sleep deprived and exhausted his sister is becoming and recommends a night nanny who can take care of the baby at nights so Marlo can sleep.

At first, Marlo is iffy and uncomfortable with the idea. The thought of having some stranger take care of their newborn baby Mia and leave before they even wake up was strange. They decide not to call the night nanny at first, even though Marlo knows she can’t handle it. Eventually this catches up to her and she calls Tully (Mackenzie Davis), the 26 year old “fun facts for fourth graders” night nanny who is ready to not only care for the baby, but to care for Marlo.

That’s the first part of that movie that I find very meaningful. Tully’s overall philosophy is that she is also taking care of the mother if she’s taking care of the baby. This is because, according to Tully, the newborn Mia’s cells will remain in Marlo’s body for years to come. This makes it so they are one whole, therefore another “baby” Tully is here to take care of.

The acting from each of the characters was absolutely phenomenal. First we have Charlize Theron, who is always phenomenal. This movie was different though. It was extremely easy to notice just how much power and dedication she put into this role to give the “postpartum depression” storyline her all, given its sensitive material.

Mackenzie Davis, who has previously been in Black Mirror, gives us a brilliant portrayal of a “light at the end of the tunnel” type of character that everyone absolutely loves. Neither of these characters (Tully and Marlo) would be quite as appealing if the actresses behind them didn’t know what they were doing.

This was a movie where I didn’t have even the slightest interest to check the time on my phone, or question how long it’s been going. I was genuinely interested in Marlo and Tully’s entire story, beginning to end, and you will too.

Tully teaches love, care, neglect, nourishment, and how it is for some people entering motherhood for their first, second, third, or fourth time. It shows that even already having two kids and another on the way doesn’t mean it needs to be easy, persay. Postpartum can come from any child, and it’s important to have either the husband or somebody caring for you when you’re going through that. Nobody should have to go through that alone.


My Rating: 96%

Acting: 3.9/4

Cinematography: 3.7/4

Story: 3.9/4

Enjoyability: 3.8/4