‘Heathers’: F*ck Me Gently With A Chainsaw

By Anthony Peyton, Edited by Olivia Norwood

It’s time for another Time Warp Tuesday, folks! This time we’ve got the brilliance of the 1988 cult classic, Heathers.

That’s right, I’m talking the iconic original teen bitch dark comedy that has influenced more movies than Meryl Streep has acted in. That’s a lot, if you weren’t aware.

Heathers is basically one of the best movies any teen could watch and I highly recommend. It’s absolutely not one of good influence, but it’s a fun one. A movie from the 80s doesn’t get a 96% on Rotten Tomatoes for being “alright”.

First of all, we have the stunning Winona Ryder as Veronica Sawyer and all the talent that that beautiful woman delivers. Following her we have Christian Slater as JD, Veronica’s insane – no, like literally insane – love interest who likes explosives a little more than a person should.

Beyond that we have the beautiful title characters Heather Chandler, Heather McNamara, and Heather Duke played by Kim Walker, Lisanne Falk, and Shannen Doherty, respectively.

One of my favorite parts about this classic other than the unforgettable quotes (check the title real quick because that’s a quote) was the fact that there was not a single weak actor in this cast. They all had talents beyond their ages and their wasn’t anyone I got bored watching.

More than that was the stunning color pallete that this movie crew decided would fit best for the Heathers respective personality – head bitch Heather was red, Duke was green, and McNamara was yellow. The decision to have them visually separated added to the memorable scenes and ability to see a group of friends that were very clearly on different pedestals.

Heathers went on to influence such movies as Mean Girls, Clueless, Jawbreakers, and dozens of others. I don’t blame them, if I were a filmmaker I’d want to follow the footsteps of this cult phenomenon, too.

Aside from all the praise, Heathers unfortunately did not have – just kidding, trying to find reasons to not like this movie is next to impossible. Obviously, I love Heathers. I think it just did so much right and cultivated a culture. Even if nowadays the subject matter is a lot more touchy, Heathers is still appealing to everyone who wants a dark teen girl trope comedy.

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Film Forecast Friday: September 14

No podcast this week for the Film Forecast, but we do got a post for ya! September 14, 2018 has some very interesting movies coming out.

We have…

  1. A Simple Favor
  2. The Predator
  3. Unbroken: Path to Redemption
  4. White Boy Rick
  5. Lizzie

Anthony’s Opinion:

I think this week has some good movies that have been talked about pretty often lately. Specifically The Predator and A Simple Favor. The Predator is a highly anticipated remake/sequel (?) to the classic franchise. Chances are, it’ll make the most at the box office this weekend. This doesn’t mean it’s going to be the best movie, but it will probably make the most money.

A Simple Favor is a movie I’ve been looking forward to for ages now. It’s starring Anna Kendrick and Blake Lively as two very different woman, but it has a very intriguing plotline I’m excited to see pan out. It’ll make the second most at box this week, behind The Predator.

The next three movies (Unbroken: Path to Redemption, White Boy Rick, and Lizzie) won’t make big – if any – impressions at box his weekend. However, I will say I’m incredibly excited for White Boy Rick, as it looks like it has potential to be a good movie. Lizzie is starring Chloe Sevigny and Kristen Stewart and tells yet another story of the infamous Lizzie Borden.

Olivia’s Opinion:

Listen. The Predator looks like crap. Will it stop people from seeing it? Unfortunately, no. I want it to tank but it won’t so that is the reality that we (mostly me) are living through.

The new Blake Lively film A Simple Favor is one film that I am excited to see. With costars such as Anna Kendrick and Henry Golding, I expect a huge turnout for this sexy mystery and I expect to see Henry Golding shirtless again. So, that’s a big thumbs up from me.

As for the lesbian drama that no one expected Lizzie, I think this might garner a lot of attention from the indie following. It stars Chloe Sevigny and Kristen Stewart and maybe their acting will finally be seen as serious with this new thriller after their past few unnoticed films.

As for Matthew McConaughey’s White Boy Rick (which reminds me a lot of Johnny Depp’s Blow), I think this will be a box office hit. Not necessarily as big as other films like A Simple Favor or The Predator. More on the box office status of other 2018 films like BlacKkKlansman or Eighth Grade. 

Overall, The Predator is taking home big money this weekend. Big money from a big YIKES movie. Let’s go shirtless Henry Golding for A Simple Favor!

‘The Room’: The Best Worst Movie Ever

By Julia Wilson, Edited by Therese Gardner

The Room is infamous for many reasons. Its strange origins, how absolutely terrible it is, and the cult following it has developed.

The man, the myth, the legend, Tommy Wiseau, wrote, directed, and starred in this film. Even those closest to him are unsure how he got the money to make this film which cost roughly $6 million to make which, if you’ve seen it, is quite hard to believe.

But Wiseau’s money isn’t the only thing that’s mysterious about him. For the longest time no one knew exactly how old he was, but after a quick internet search it seems we may have finally settled on 63. People also aren’t sure exactly where he’s from as he used to claim he was from New Orleans, but his accent told a different story.

The mystique surrounding Wiseau and The Room was a large contributor to its cult following. However, that isn’t the only factor. It also helps that it’s so bad that it makes you actually want to watch it. While most bad movies make you want to turn them off, The Room somehow has you coming back for more.

Although not very popular at the time of its release in 2003, it has now grown to cult status with regular midnight showings across the country that Wiseau himself will often show up to and sign stuff for fans.

The intrigue surrounding this film even sparked a movie, The Disaster Artist, which stars James Franco and is based off the book by Greg Sestero who co-starred in The Room. The Disaster Artist gives a detailed look into how this strange film came to be.

All in all, The Room definitely made an impression on the film community. It’s hard to pinpoint what about it makes it so watchable despite how bad it is, but to be so widely talked about 15 years after its release is quite impressive for any movie. Especially for one known as the worst movie ever made.

 

‘BlacKkKlansman’ Is The Wake Up Call We Need

By Julia Wilson, Edited by Anthony Peyton

BlacKkKlansman tells the true story of Ron Stallworth (John David Washington), the first African American to serve in the Colorado Springs Police Department. Shortly after joining the department, Stallworth decides to go undercover and infiltrate the Ku Klux Klan.

While Stallworth connects with the KKK members over the phone, white police officer Flip Zimmerman (Adam Driver) interacts with them in person. Together they are able to gather valuable intel on the KKK and anticipate some of their attacks.

This movie does an excellent job at showing the ugly truth of the hate that is just as present in America today as it was in the early 70’s when this story took place. It makes you uncomfortable and angry, especially with all its reminders that this kind of hate is still heavily prevalent today.

The film definitely does not shy away from its fair share of references to Trump. One such reference is when the Grand Wizard of the KKK, David Duke (Topher Grace), says to Stallworth that we need someone in office who will help America achieve greatness again.

Being produced by the same team that made Get Out, I had high expectations for this film and I was not disappointed. Everything about it was superb and aided its message.

I was especially impressed by the acting in this film. These were all very heavy roles to play considering not only the fact that it was based on a true story, but also that the story surrounds such sensitive subject matter. But every single person in this film was brilliant, and you know they were doing a good job based on the fact that the film was so hard to watch at times.

Overall, BlacKkKlansman forces you to see the hate and racism that lies within America. It even ends by showing clips of the violent protests that took place in Charlottesville, VA exactly one year ago, killing 3 people and injuring many others. It also shows clips of Trump, and clips of the real David Duke still doing hateful talks to this day. These serve to remind us that even though the story the film tells took place in the early 70’s, it is just as relevant today as it was then.


My Rating: 91%

Acting: 3.7/4

Cinematography: 3.6/4

Story: 3.8/4

Enjoyability: 3.5/4

‘Eighth Grade’ Is Brilliantly Real and A Must-See

By Julia Wilson, Edited by Anthony Peyton

Eighth Grade follows the awkward and lonely Kayla as she tries to make her way through the eighth grade. Kayla wants what anyone wants which is acceptance from her peers. The film is framed with videos that Kayla makes for YouTube. These videos consist of Kayla giving advice on topics such as how to be yourself and how to be confident, and play as Kayla is trying to do those things herself.

The film revolves a lot around the internet, as most of our lives do these days. But the use of technology is not overdone and out of touch as it is in many films and TV shows, instead it serves to show the place technology holds in Kayla’s life and how it contributes to the anxiety and nervousness she experiences.

My favorite thing about this film was how real it was. From the panic Kayla faces as she enters a pool party, to her conversations with her dad at the dinner table I related to all of it. I literally felt as though I was transported back in time to when I was that age.

For me, however, this film isn’t just relatable to eighth grade me, but to current me as well. Writer and director Bo Burnham did a masterful job creating the stress and anxiety many people face daily through the story of an eighth grader, which is a stressful age for anybody to be. Also, all the questions Kayla faces, such as how to be yourself, are struggles that any age can relate to.

One of the reasons Kayla’s feelings came through so well was through the choice to focus the camera mainly on Kayla’s face during anxiety inducing situations. This happens at one point during the pool party where the camera is entirely focused on Kayla’s face although you can hear a fight happening in the background. Another instance of this is when Kayla is in the car with her dad and is telling him to “stop looking like that”. Instead of panning over to the dad’s face to see what Kayla is talking about, the camera focuses on Kayla so that we can see the dozens of emotions going through her head through her facial expressions.

On that topic, I can’t talk about the emotion the audience gets from Kayla without discussing Elsie Fisher’s acting. She pulls off this role phenomenally. In most films about kids this age they are so out of touch and the kids don’t seem genuine, but that is not the case at all in this film. Fisher’s slight eye movements and the way she smiles and nods as her character tries to fit in really sell the realness of the film and how relatable it is.

Not only is this film relatable, but it is also funny. Burnham does an amazing job placing humor so effortlessly throughout the film simply through everyday actions that we all can relate to.

Honestly, I must applaud Burnham for making perhaps the most relatable and real movie about growing up that I have ever seen. Eighth Grade will have you laughing, crying, and saying, “wow I didn’t know other people did that”.


My Rating: 99%

Acting: 4/4

Cinematography: 3.9/4

Story: 4/4

Enjoyability: 3.9/4

 

100th Day of BFS: The Best and Worst of 2018

To celebrate the 100th day of Basement Film Society, we’ve decided to take (nearly) every single movie that’s come out this year and put them in a list of top 10 and bottom 10.

The lists are based on the ratings that they have been given in our reviews. Percentages will be included in this post, as well. 

Anyways, let’s get started and thank you so much for joining us in our 100 day celebration! We cannot wait for 100 more!

Top 10 Best Movies… so far.

  1. First Reformed (98%)
  2. Hereditary (98%)
  3. Won’t You Be My Neighbor (96%)
  4. You Were Never Really Here (96%)
  5. Tully (96%)
  6. Adrift (95%)
  7. American Animals (94%) 
  8. Game Night (93.7%)
  9. Incredibles 2 (93%)
  10. Veronica (93%)

Top 10 Worst Movies… so far.

  1. 7 Days in Entebbe (56%)
  2. Overboard (53%)
  3. Red Sparrow (50%)
  4. Super Troopers 2 (46%)
  5. Taco Shop (39.4%)
  6. Truth or Dare (36%)
  7. Step Sisters (35%)
  8. Tyler Perry’s Acrimony (33%)
  9. The Week Of (19%)
  10. The Kissing Booth (18%)

 

‘Boundaries’ Beautifully Depicts the Ups and Downs of Family

By Julia Wilson, Edited by Anthony Peyton

Finally, a road trip movie worth watching.

For some reason road trips are often used in movies for both comedic and dramatic uses, and in most movies that feature them that is all they are about. But Boundaries is about so much more than that. It shows the sacrifices that we make for our family, despite the emotional turmoil that they may cause us.

Boundaries tells the story of Laura (Vera Farmiga), a single mother who rescues every stray animal she sees, and her troublesome relationship with her father Jack (Christopher Plummer). After avoiding her father for quite some time, Laura ends up having to drive him from Seattle to LA so he can stay with her sister Jojo (Kristen Schaal) after he is kicked out of his nursing home.

On this road trip they are accompanied by Laura’s son Henry (Lewis MacDougall), a socially awkward teenage boy, and some of the many dogs Laura has rescued. Unknown to Laura, Jack also has brought along large amounts of marijuana that he has enlisted Henry’s help with selling throughout their journey.

Boundaries is different than most road trip movies because it has so many different layers with some intricate character development. There is a lot going on with each and every character that intertwines itself with the story, making you very invested in all of them.

There is Laura and her relentless love for everyone around her, even when it hurts her. Henry with his issues at school and being able to interact with other people. And finally Jack, who has never been there for his children and is trying to figure out how to change his ways.

This really is a character driven piece which is why it was aided so heavily by the fact that the actors were brilliant. They were each able to portray the complexities of their characters in a way that brought you into the story so effortlessly.

This film was also quite funny. Although the story it presented was more dramatic in its nature, the dialogue and the interactions between the characters gave it a very cleverly thought out humor.

To be honest, I liked this film a lot more than I thought I would. I am always skeptical of road trip movies because they are usually all the same, but I was very pleasantly surprised by this one.

Boundaries tells an intricate and entertaining story of family and the complex emotions that go with it. Between the enthralling story mixed with both drama and comedy and the brilliant acting, I would highly recommend this film.


My Rating: 89%

Acting: 3.7/4

Cinematography: 3.4/4

Story: 3.7/4

Enjoyability: 3.5/4