Chloë Grace Moretz Shines in ‘The Miseducation of Cameron Post’

By Olivia Norwood, Edited by Anthony Peyton

Earlier this year, we were introduced to the worst performance in Chloë Grace Moretz’ career with Brain on Fire. As a fan of Moretz’ work, I was thoroughly disappointed to see the Netflix Original and hoped for another film/performance this year that would make up for it.

The Miseducation of Cameron Post was that film and Moretz’ lead role was that performance. Taking place in 1993, teenaged Cameron is sent to a Christian treatment center after she is caught making out with a girl in the backseat of a car. While struggling with her oppressive situation, Cameron manages to find a few good friends in Native American Adam (Forrest Goodluck) and hippie Jane Fonda (Sasha Lane).

What I love so much about Moretz’ performance is that it’s completely different from the past where she played the headstrong, outspoken girl. Her role as Cameron is definitely the opposite as she is quiet, shy, and submissive. It’s refreshing to see Moretz as something that is more vulnerable and deeper than just the face value that we get with a lot of her characters.

Along with Moretz, the supporting characters gave their own memorable performances. Owen Campbell, who plays Mark, seemed like he was just another character but proved us wrong with one of the most powerful scenes I’ve seen this year that includes a dramatic and emotional reading of a bible verse that results in a mental breakdown. It’s one of the best performances of the film and Campbell deserves many praise for it.

All in all, The Miseducation of Cameron Post was one of the most authentic films of the year with actors who treat the material and the characters with respect.


My Rating: 95%

Acting: 3.8/4

Cinematography: 3.8/4

Story: 3.9/4

Enjoyability: 3.7/4

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Basement Talk 002: LGBT and the Biphobia in Cinema

In the second episode of Basement Talk hosted by Olivia Norwood and Anthony Peyton, we discuss the year so far in LGBT. This includes Netflix films like Alex Strangelove and blockbusters like Love, Simon. We also delve deep into the topic of biphobia within the film industry and the LGBT genre as well as what we think can be done about it.

Episode Length: 32 minutes

Intro & Outro Song: “Funhouse” by John Treash