‘Shrek’ Me Up: A Look Back on the Childrens’ Classic

By Anthony Peyton, Edited by Julia Wilson

For this Time Warp, I decided I would touch on one of my absolute favorite animated movie franchises. That, of course, is the Academy Award winning film, ‘Shrek’. It’s still funny to me to be able to say “Academy Award winning” to the classic swamp-dwelling ogre that is my man Shrek.

Many who haven’t seen this iconic film may ask why it won Best Animated Feature in 2002. Well, those who have seen it can tell you exactly why.

The mean green fighting machine Shrek (Mike Myers) is an angry ogre who just likes to be left alone, as most people nowadays. But once love comes along, that changes, as with anyone who suddenly finds love. Shrek’s love didn’t come suddenly, of course. It came after a long journey with his new friend – whether or not he likes to admit it – a donkey, whose name is, well, Donkey (Eddie Murphy).

The love interest/self-hating princess in the movie is Fiona (played by Cameron Diaz), who loves throwing tantrums at every moment she can. You may think that it’s obnoxious, but it becomes very easy to love her by the end.

That is the overall plot of the entire first movie, but they do so well developing all the relationships within it. Being able to meet dozens of fairy tale creatures who annoy Shrek to the brink of absolute fury is, even if it’s not to Shrek, completely hilarious to watch.

Half the enjoyability of this movie revolves around the supreme soundtrack that plays throughout. I mean, we have songs like “All Star” by Smash Mouth and “Bad Reputation” performed by Joan Jett. That sells it right there, doesn’t it?

It’s an undeniably enjoyable movie and impossible not to love. It sparked a sequel that is debatably better than the first if not just as good. It’s one of those movie franchises that anybody will want to watch on a lazy afternoon in the summer, with their kids for a family movie night, in the middle of a snowstorm in the winter, or pretty much at anytime. That is how I define a classic.

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Film Forecast Friday: June 1st

On Friday June 1st we have…

1. Adrift

2. Upgrade

3. Action Point

4. American Animals

5. A Kid Like Jake

Julia’s Predictions:

This is an interesting week because for the first time in a while there are no big blockbusters being released. Out of the movies that are being released I think Adrift will have the biggest box office numbers. It has notable actors Shailene Woodley (Fault in Our Stars, Divergent) and Sam Claflin (Me Before You, Hunger Games) in it and I’ve seen a lot of marketing for it.

I think Action Point and Upgrade will do alright. I haven’t heard too much about either of them, but Action Point has Johnny Knoxville (Jackass) in it which will likely bring out audiences. Also, Upgrade is a Blumhouse Productions film and those tend to do well.

American Animals is absolutely amazing and I strongly recommend you go see it. We have already reviewed it, so if you need any more convincing to go see it check out our review!

Finally, A Kid Like Jake which honestly I didn’t know was a movie until today. It has Jim Parsons in it so maybe it will attract some Big Bang Theory fans?

Anthony’s Predictions:

I am beyond excited for Adrift with Shailene Woodley and Sam Claflin. This will also be the moneymaker for the week at the box office, even if it will not make quite as much as previous weeks.

I have heard so much about American Animals that I’ve gotten very excited to see it. It has such a unique group of actors in it (including Evan Peters!) so I know that I’ll enjoy it already.

I definitely forgot Action Point and Upgrade were even coming out this week. I don’t really have a high opinion on them but I believe they will do about the same at the box office.

A Kid Like Jake won’t be too crazy spectacular, but should be fun because of Big Bang Theory’s Jim Parsons, as he is in it.

‘RBG’: The Queen of Law

By Anthony Peyton, Edited by Julia Wilson

Let me just start out by saying that this is absolutely one of my favorite documentaries that I have ever seen.

RBG, which tells the story of Supreme Court Justice Ruth Bader Ginsburg, quickly turned into the story of the history of the fight for gender equality. This is for a number of reasons. First, Justice Ginsburg spent her entire young life in law studying gender discrimination. This, in itself, created the basis of what she believes.

Granted this has caused a few problems between her, her fellow justices, and the majority. Some people may believe that she had it relatively easy at first as she was always delivering the majority opinion. It became significantly more difficult when George W. Bush was elected into office.

She became the queen of dissenting opinions, the Notorious RBG.

This documentary featured interviews from Justice Ginsburg, those obsessed with her, and even former president Bill Clinton. It also developed the story regarding her relationship with her husband of fifty plus years, Martin Ginsburg, who rapidly became her happy place, serving as the outgoing spokesperson she couldn’t be for herself. The two made it a rule to never give each other advice on things the other did not know.

Between that story as well as numerous case examples, RBG brought a new light to what it’s like to be the minority in the Supreme Court. Justice Ginsburg promises to do this job until she can no longer physically bare it. And that, right there, is the Supreme Court Justice we knew we needed but never fully appreciated.


My Rating: 91%

Direction: 3.6/4

Cinematography: 3.6/4

Story: 3.7/4

Enjoyability: 3.7/4

Penetrating the Interminable Mystery Of ‘Ismael’s Ghosts’

By Anthony Peyton, Edited by Olivia Norwood

2018 has already had a good share of foreign films, when you put Zama and Fantastic Woman (which won Best Foreign Film at the 2018 Oscars) in the mix. It was exciting to see that a French foreign film was coming to theatres as I knew it would have an interesting plot and involve a person named Pierre as all french films inevitably have.

Ismael’s Ghosts ended up becoming very confusing very fast. It was simple, at first, seemingly about a woman named Sylvia (Charlotte Gainsbourg) and her boyfriend of two years, Ismael (Mathieu Amalric), who have to recover from a strange turn of events as Ismael’s presumed dead wife Corletta (Marion Cotillard) shows up at an unexpected time.

The acting was slightly better than mediocre. The actors and actresses were new to me, for the most part. Amalric was previously in The Grand Budapest Hotel, Munich, and Quantum of Solace. Cotillard is a one-time academy award winning actress for La Vie en Rose and also appeared in Inception.

As for the plot, it’s complexity develops into something significantly more mysterious, intense, and confusing. This included a story about Ismael as a director and his movie which ends up being part of the twist at the end. At least, I think it was. It got so complicated at the end that I couldn’t tell if it was a twist or something I was just missing the whole time.

Overall, Ismael’s Ghosts was a fine movie. It was confusing beyond confusing but that was its biggest flaw. Make sure you’re ready, though, because it’s the longest 2 hour and 15 minute film you’ll ever watch. As in, it will feel like you’ve been there for a full year before you leave.


My Rating: 74%

Acting: 3/4

Cinematography: 3.3/4

Story: 2.8/4

Enjoyability: 2.8/4

‘Titanic’ Makes My Heart Go On

By Anthony Peyton, Edited by Olivia Norwood

When I think of late 90s cinema, there are dozens of movies that come to mind. We have American Beauty (1999), The Sixth Sense (1999), Good Will Hunting (1997), Clueless (1995), and so many others that quickly became classics. For me, however, none touched me quite as much as Titanic (1997).

Titanic is a movie that nearly everyone knows about as most grew up having seen it once or twice. Maybe they’ve even heard about its impressive eleven academy award wins at the 1998 Oscars. No matter how one may have heard of it, it’s a movie that’s touched the hearts and minds of everybody.

Given that everybody knows what the film is about, I’ll keep the summary brief. When poor Jack Dawson (Leonardo DiCaprio) and recently engaged Rose Bukater (Kate Winslet) meet aboard the RMS Titanic, they find love in one another. They build a relationship beyond anything many have seen, but realize sometimes love doesn’t last as long as you may like it to. In their case, however, it wasn’t a break-up that brought this realization.

The sinking of the RMS Titanic was the climax of this movie, and showed – practically in real time – the sinking of the ship and the drowning of the lives on board. Director James Cameron knew how to capture this emotional tragedy and make it so the audience doesn’t even care about its running time (194 minutes).

Titanic 1
Courtesy of Paramount Pictures

Everything about this movie was astonishing to me and millions would agree. Being able to witness such stellar performances by DiCaprio and Winslet (as well as such notable names as Kathy Bates, Billy Zane, and Frances Fisher) under equally beautiful writing makes any moviegoer fill with joyful tears from beginning to end.

It doesn’t happen often in modern cinema that you see a cast of actors and actresses who are all so individually dedicated to their roles. It was obvious that each wanted to portray their characters with the seriousness that those on the real Titanic would’ve maintained.

Much of this is due to the main man himself, James Cameron (Avatar, Aliens). People are no stranger to the work of Cameron, as he had already released Aliens in 1986, eleven years prior to Titanic.

Not everyone was too confident in him for Titanic (given that the budget was incredibly high – the highest of any movie in history at the time – and that most thought it would be “just another romance flick”), and many lost faith before it had even been released. That concept in itself is a marvel to me given its brilliant reception and continued adoration today.

It’s not doing Titanic justice by calling it a brilliant historical adaptation, when it felt like so much more. It was a near spiritual awakening for most who watched it, whether you’ve seen it once, twice, or two dozen times.


My Rating: 96%

Acting: 3.8/4

Cinematography: 3.9/4

Story: 3.8/4

Enjoyability: 3.9/4

‘The Endless’ Journey of Trying to Understand This Movie

By Anthony Peyton, Edited by Olivia Norwood

I really didn’t think I’d run into more of a mind twisting movie than Annihilation so soon into the year, but I was truly proven wrong with Snowfort Pictures’ The Endless.

In the most simple explanation, it’s about two brothers who escaped a UFO Death Cult when they were younger. Now that they are cleaners and living an unsatisfied life, one brother, Aaron (Aaron Moorhead) wants a change.

He decides that he wasn’t happy with the lack of closure from the cult and wants to go back. Other brother Justin (Justin Benson) is very reluctant, but for some reason gives in.

As the movie progresses, it gets ridiculously strange and confusing. The audience is left questioning whether or not this strange group of people is actually a cult or not. All we really know is that it’s an otherworldly situation with people who know that life does not stop at just them.

Some of the cult crew included leader Hal (Tate Ellington), Anna (Callie Hernandez), and Tim (Lew Temple). They all presented strange and unique personalities, but they all added something to the development of the plot – even if it wasn’t very much.

Although this movie is about aliens, don’t expect to see any… because you won’t. The aliens are always seen in the darkness or underwater, but what can you expect? It’s yet another question that leaves you frustrated. Were they even aliens?

Regardless, I do have to applaud Justin Benson for not only starring as one of the brothers, but also co-directing (alongside Aaron Moorhead, the other brother), creating the story, and writing the story. Not many people in the industry can do that nowadays.

The acting wasn’t spectacular from anyone, to be honest. At the same time, I don’t think that was the point. The point was to deliver an interesting story that unintentionally ended up more confusing and mind twisting than “interesting”.
The Endless was a very forgettable movie. It was good, but forgettable. But, before I forget it altogether, I’ll say good job to the cast and crew for developing a movie about a cult that isn’t actually about the cult itself but actually about the cult that came after the cult and a force field and… okay, I’m done.


My Rating: 79%

Acting: 2.9/4

Cinematography: 3.2/4

Story: 3.3/4

Enjoyability: 3.2/4

‘Dude’: Netflix Is Killing It

By Anthony Peyton, Edited by Julia Wilson

Netflix has returned with Dude, a movie about drugs, prom, high school, death, and everything else involving the teen lifestyle. Don’t be afraid though! This movie is far from stereotypical. It’s a completely unique blend of acting and a story worth paying attention to.

Lucy Hale (Pretty Little Liars, Truth or Dare) stars as Lily, the Student Council President who is just trying to get through her life with her three best friends, Chloe (Kathryn Prescott, Finding Carter), Amelia (Alexandra Shipp, Love, Simon), and Rebecca (Awkwafina, Ocean’s 8). On top of that, she finds the rest of life’s pleasures in prom planning and PCP.

Hale is not new to the four best friends whole shebang as she became very experienced in Pretty Little Liars. Even being a huge fan of that show myself, I confidently believe that she plays the best friend role at her best in Dude.

Along that, she gets to stand aside such outstanding actresses who all know what they are doing. Seeing Shipp play such a badass teen character (which is nothing new, she did the same thing in Love, Simon) was so much fun and just added to the performances of everyone else. Prescott and Awkwafina also did this well, providing to the environment and story as a whole.

Aside from that, shoutout to Alex Wolff who gave an incredibly good performance as Hale’s almost counterpart, Noah.

The acting was obviously one of my favorite parts of this movie, but it wasn’t the only good thing.

The preppy school girl with her friends taking several types of extreme drugs was another interesting plot point to look at. The girls made their way through tons of PCP and several Donkey Bongs full of weed. Not every class president you see in a movie is going to be that wild, so it’s important to give movies like these a chance. Several of the characters in the movie were dealing with the death of another character at the beginning of the movie, and it gives an underlying tone to the message at the end of the movie.

Regardless, all of that returns to the cliché high school movie where everyone has to decide what they want to do after high school. What college to go to, what boys to go off to college with, but most of all; who are your true friends?
Dude was my favorite Netflix movie of the year so far. There’s tons of lessons that you can pick and choose, whether it’s about what you want to do after high school or just how many drugs you should – or should not – do by the time of your senior prom.


My Rating: 92%

Acting: 3.8/4

Cinematography: 3.4/4

Story: 3.7/4

Enjoyability: 3.8/4