The Rocky Comedic Adventures of ‘Solo’

By Anthony Peyton, Edited by Julia Wilson

Easily one of the most highly anticipated movies of 2018, Solo had a lot to prove. It definitely didn’t help that most people went into the movie assuming it was going to be bad. I can’t blame it for trying to prove everyone wrong.

In this Star Wars Story, a young Han Solo (played by Alden Ehrenreich, ) is in the initial stages of becoming a smuggler with his best buddy Chewbacca while trying to balance an unfortunate relationship with Qi’ra (Emilia Clarke, Game of Thrones). He meets Beckett (Woody Harrelson, The Hunger Games, Now You See Me) along the way as well as a very intelligent robot named L3-37 and Lando Calrissian (Donald Glover, Atlanta).

As expected, all of these characters affect the story in some way or another, whether it be for entirely comedic purposes or actual damage. The comedy in this is, unfortunately, going to have to be one of my negatives.

Star Wars has gotten into this habit of trying to make every single droid as successful and hilarious as K-2SO in Rogue One, when it’s just not going to happen. L3-37 makes some decent jokes (one being about equal rights for droids), but it feels so obvious that the writers are forcing it.

To future Star Wars Stories writers, stop trying to make the droids as funny as K-2SO, it’s not going to happen.

The movie itself wasn’t the most fun to sit through of the Star Wars franchise. In fact, it may be one of the least enjoyable yet. I had never found myself so bored for the majority of a Star Wars movie than I did with this one.

Luckily, it made up for that with its last 20 minutes which were actually pretty entertaining to watch. I say this because it’s in the last 20 minutes that anything wildly important happens, including a plot twist and introduction of a familiar character that I was saying, “uhm… what?” to.

The cinematography was beautiful, as it is in a Star Wars movie. It was beautifully made, even the camera work wasn’t nauseating like some movies have become nowadays. There were plenty of oddly named planets and several mentions of Tatooine, which I thoroughly enjoyed being a hardcore Star Wars fan myself.

Honestly, I have very mixed opinions regarding Solo. I don’t think it was bad, but it’s definitely in the bottom five of Star Wars movies. I wouldn’t go as far as saying it shouldn’t have been made because at the end of the day, it told a story about a character we all loved that we all wanted to know a little more about.


My Rating: 84%

Acting: 3.4/4

Cinematography: 3.5/4

Story: 3.4/4

Enjoyability: 3.2/4

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‘Disobedience’: Religion and Sexual Repression

By Olivia Norwood, Edited by Julia Wilson

LGBT storylines in film have become increasingly popular due to its Academy Award winning predecessors Moonlight and Call Me By Your Name and the new drama Disobedience follows in their path.

Set in an Orthodox Jewish community, New York photographer Ronit (Rachel Weisz) goes back home for her Rabbi father’s funeral but finds herself rekindling with her old flame, Esti (Rachel McAdams) – who is also married to their Rabbi childhood friend, David (Alessandro Nivola).

Living in a one-sided relationship is hard enough as it is but when you add the complexity of hiding one’s sexuality. Ronit has the freedom of living however she feels while Esti is trapped in an unaccepting community where everyone knows what goes on behind closed doors.

This relationship was different than the others. Where Call Me By Your Name is more erotic and lustful, Disobedience is sentimental and heartbreaking.

These two women have been in love since their youth but their environment continuously tears them apart and manipulates the way they live. And the way it affected the husband and/or third party is much more meaningful and real.

Along with acting being its strongest quality, the story was just as powerful and special.

Disobedience gave a quintessential look at human feelings, not desires. It’s simple and refined while dealing with the complexities of love and living in a benighted world.


My Rating: 80%

Acting: 3.8/4

Cinematography: 3/4

Story: 3/4

Enjoyability: 3/4

‘The Open House’ Is A Darkness In Itself

By Anthony Peyton, Edited by Julia Wilson

I don’t care what you say about Thirteen Reasons Why, Dylan Minnette is adorable. I say that because he’s equally as cute in The Open House, a new horror flick on Netflix that actually proves to know what it’s doing. The majority of the time at least.

Dylan Minnette plays teenager Logan Wallace alongside his mother Naomi (played by Piercey Dalton) after his father gets killed in a roadside hit. I swear that’s not a spoiler, it happens at the very beginning of the movie and it just happens to be what the entire movie is about.

Despite awful reviews on Rotten Tomatoes (it literally has a 13%), I found it to be a pretty good movie.

The acting wasn’t bad at all. Dalton and Minnette are both experienced actors and clearly knew what they were doing. Minnette has even done horror before (Let Me In, Don’t Breathe), so he knew how to not act amateurly like most actors his age in a horror movie. He kept every creepy moment suspenseful and every scary moment bone chilling.

The scenery was beautiful at first but later fell through after it got repetitive. Many movies have repetitive scenery and do it well, such as Breaking In earlier this month, that used one house for the entire film but made the house have real meaning.

This movie, however, used this house and didn’t add any feeling to it, despite how hard they tried. It was used to successfully build a story, and it did that, but it wasn’t necessarily fun to see for an hour and a half.

The Open House was actually a decent movie to me. It absolutely isn’t my favorite 2018 Netflix movie (Dude and Veronica still hold that title), but it wasn’t the worse. It was a decent horror flick that matched up to some of the other mediocre horror movies we’ve seen the last few years.


My Rating: 75%

Acting: 3.6/4

Cinematography: 2.5/4

Story: 2.9/4

Enjoyability: 3/4

‘Deadpool 2’ Shows Exactly What Superhumor Should Be

By Anthony Peyton, Edited by Julia Wilson

Deadpool is back at it again with his morbid sense of humor the entire world has come to love in Deadpool 2. This time, he comes with an even more complex story with long-term complications.

In this one, Deadpool (obviously still played by Ryan Reynolds) finds a new villain that he must defeat to save a little kid named Russell (played by Julian Dennison) – or “Firefist” if you ask him – as he struggles with, like, self-identity or something. Basically the X-Men version of puberty.

Regardless, Deadpool is as funny as ever. But it all started with something that most movies don’t put a ton of time in anymore – marketing. Deadpool 2 created dozens of alternate covers for its movie as well as replicas of other movies that were replaced with Deadpool himself. On the cover of War for the Planet of the Apes, Deadpool is seen riding the horse. It’s these marketing decisions that helped build the anticipation for this movie.

I have no complaints about the acting in this movie. Reynolds, the young Dennison, Morena Baccarin, Josh Brolin, and all the other actors/actresses’ portrayals of unique characters were executed excellently. They each brought a lot to the movie no matter how much or how little they appeared in it.

Deadpool is known for his dark humor, which he plays very well. From comparing the new villian Cable and Thanos to understating the power of Hawkeye, Deadpool really brings the shaded joys to the MCU.

Even the cinematography was awesome in this movie. They used tons of different sets and locations to show all the different situations Wade Wilson manages to get himself into while still keeping the feel of his universe.

Finally, the writers hit the bullseye with a story that really has the ability to hook the audience. It jumps around, sure, but a lot of superhero movies do that nowadays. And who are we to complain about that after watching The Avengers: Infinity War.

That’s right, if you liked that story, you have no place to say that Deadpool’s was bad.

Deadpool 2 was definitely better than the first. That, right there, is a huge accomplishment within itself. It incorporates the X-Men storyline better than the first (shipping Deadpool and Colossus with every piece of my soul), and the humor worked even more thought out, adding in constant pieces of attitude towards the MCU. It just knew how to build on characters they already had as well as add in ones that would benefit the story (Brad Pitt may or may not make a cameo appearance… go find out!). Deadpool 2 is easily one of my highest recommended movies of 2018 thus far.


My Rating: 91%

Acting: 3.6/4

Cinematography: 3.5/4

Story: 3.6/7

Enjoyability: 3.9/4

Film Forecast Friday: May 18th

On Friday, May 18th we have…

Deadpool 2

Book Club

Show Dogs

Dark Crimes

First Reformed

On Chesil Beach

Julia’s Prediction:

Obviously Deadpool 2 will takeover the box office this weekend and may even give Avengers: Infinity War a run for its money for that #1 box office spot. Also, I literally just saw Deadpool 2 as I’m writing this and I loved it. I strongly recommend.

Book Club looks pretty funny, but I don’t expect it to make any big waves at the box office. Although it currently has a surprisingly high rating on Rotten Tomatoes for what it is, so who knows. Maybe it will surprise me.

I honestly can’t even believe Show Dogs is a movie. I mean are creepy real looking talking animals really anyone’s kind of movie? I definitely expect this movie to crash and burn.

Dark Crimes looks pretty intense and it has Jim Carrey in it so it will probably do alright. First Reformed is already Certified Fresh on Rotten Tomatoes so that one will also probably do pretty good. And finally On Chesil Beach which stars Saoirse Ronan from Lady Bird. This one looks pretty interesting and I think among its audiences it will do pretty well.

Anthony’s Prediction:

Even only being open for one day, Deadpool 2 is already breaking records. It’s killing it at the box office and will continue that through this weekend. Ryan Reynolds knew what he was doing signing on for this movie.

Book Club is going to be interesting, but won’t do crazy well at the box office. That being said, it’ll still take the second most spot next to Deadpool 2.

First Reformed is being very positively recepted and I love that. It’s a good movie with a story that needs to be told, and it deserves the good it’s getting.

Dark Crimes and On Chesil Beach are the two movies this week that I think will be looked passed and won’t be big or relevant at all.

‘6 Balloons’ and its Unexpected Greatness

By Olivia Norwood, Edited by Therese Gardner

As we all know, Netflix is the new outlet for films that may not have gotten the attention it needed. It’s great because when they slap that well known label on it then people are guaranteed to come across it. Not only are these stories given a bigger platform but, actors are given roles beyond being typecast in the same role. This is the case with the new Netflix drama, 6 Balloons.

When Katie (Abbi Jacobsen) attempts to throw a birthday party for her boyfriend, she’s disrupted by her heroin-addicted brother, Seth (Dave Franco), who is in need of a detox center. The two take an overwhelming journey around the city while also dealing with his toddler daughter.

The plot is as simple as any other film- simpler than most addiction-based films. But instead of it being in the perspective of the addicted, it’s in the perspective of the enabler. Katie’s life revolves around her brother’s issues as she takes him to detox and rehab centers only for him to relapse. She then ends up buying him drugs to help with his pain even though she knows he won’t actually get better. It’s a complex story with complex characters that you don’t normally see in cinema – even if these people exist in real life.

6 Balloons is strong in not only the plot, but also the acting. It’s headed by actors who are normally found in the genre of comedy. Broad City’s Abbi Jacobsen and The Disaster Artist’s Dave Franco are surprisingly successful in bringing these characters to life in the most authentic way. They’re the performances that we’ve always wanted from Franco and never expected from Jacobsen.

Franco doesn’t shy away from showing the glaring and harsh realities of being an addict who needs to stay high just to survive while Jacobsen gives us a spoonful of the truth and what the difference is between caring for someone and letting them continue their destructive habits. Not only were these roles a little daring but they were the perfect start for these actors to branch out and gain more recognition for their true range of talent.

6 Balloons is a powerful indie drama with actors that prove themselves to their regular audience and fans and a story that is just as gripping and meaningful as the movies on the bigger silver screen.


My Rating: 81%

Acting: 3.5/4

Cinematography: 3/4

Story: 3.5/4

Enjoyability: 3/4

‘Tully’: The Truth About Motherhood

By Anthony Peyton, Edited by Julia Wilson

Let me start out by saying that this movie is easily in my top 3 movies this year and deserves an Academy Award nomination. No other movie has felt so real and candid while still being enjoyable and fun.

Charlize Theron (Atomic Blonde, Monster) plays Marlo, a mother of three suffering from severe postpartum depression. Her husband (Ron Livingston) doesn’t do much for the kids, except being the homework helper. Marlo’s rich brother (Mark Duplass) sees just how sleep deprived and exhausted his sister is becoming and recommends a night nanny who can take care of the baby at nights so Marlo can sleep.

At first, Marlo is iffy and uncomfortable with the idea. The thought of having some stranger take care of their newborn baby Mia and leave before they even wake up was strange. They decide not to call the night nanny at first, even though Marlo knows she can’t handle it. Eventually this catches up to her and she calls Tully (Mackenzie Davis), the 26 year old “fun facts for fourth graders” night nanny who is ready to not only care for the baby, but to care for Marlo.

That’s the first part of that movie that I find very meaningful. Tully’s overall philosophy is that she is also taking care of the mother if she’s taking care of the baby. This is because, according to Tully, the newborn Mia’s cells will remain in Marlo’s body for years to come. This makes it so they are one whole, therefore another “baby” Tully is here to take care of.

The acting from each of the characters was absolutely phenomenal. First we have Charlize Theron, who is always phenomenal. This movie was different though. It was extremely easy to notice just how much power and dedication she put into this role to give the “postpartum depression” storyline her all, given its sensitive material.

Mackenzie Davis, who has previously been in Black Mirror, gives us a brilliant portrayal of a “light at the end of the tunnel” type of character that everyone absolutely loves. Neither of these characters (Tully and Marlo) would be quite as appealing if the actresses behind them didn’t know what they were doing.

This was a movie where I didn’t have even the slightest interest to check the time on my phone, or question how long it’s been going. I was genuinely interested in Marlo and Tully’s entire story, beginning to end, and you will too.

Tully teaches love, care, neglect, nourishment, and how it is for some people entering motherhood for their first, second, third, or fourth time. It shows that even already having two kids and another on the way doesn’t mean it needs to be easy, persay. Postpartum can come from any child, and it’s important to have either the husband or somebody caring for you when you’re going through that. Nobody should have to go through that alone.


My Rating: 96%

Acting: 3.9/4

Cinematography: 3.7/4

Story: 3.9/4

Enjoyability: 3.8/4